Martin Parr

Small World series 1995

"Martin Parr sensitises our subconcious and once we've seen his photographs, we keep on discovering these images over and over again in our daily lives and recognising ourselveswithin them. The humour in these photographs makes us laugh at ourselves, with a sense of recognition and release." - Thomas Weski

Doug Aitken

Sleepwalkers, 2007

Sebastiao Salgado

Matthew Sleeth

Red China

 

Feet, 2003

Rod McNicol

Discovered Rod McNicol's photography after completing Project 1, but the similarities are too obvious to let lie! These two people were suffering terminal illness at the time of the photograph, and died 2 weeks later. They hold a photograph of themselves as children, as my models did for my sequence on generation and age. The composition of the childhood photo has been mimicked in the more recent one.

Simon Terril

The Balfron Project

Project 1 finals

I'm going to print these a little bigger than A3, at 12" x 18" on gloss. The reason for the gloss is to mimic the shine on the original photos held my the models, I want to replicate that original asthetic (without resorting to the nostalgia of 'retro' stylising), Irena Werning style.
The order will go from Grandma, to Mum, to Me. I considered displaying them vertically (like below) to imply a family tree format, but this symbolism would perhaps be a little obvious and I'm so pleased with the identical complosition of the three shots that I'd really like to bring this out by lining them up horizontally - when I do all the models heads, shou;lders and hands line up beautifully!

Project 1

looking at age, change, memory and generation. These are from a shoot with my Grandmother, aged 78, holding a photo of herself, aged 50. I should have reflected light onto her back to pop her forward a little: I will also be doing a similar shoot with my mum and a self-portrait, so I'll keep this in mind for those sessions. I was planning on shooting on a white background but it was a little too crisp, and lacked the nostalgia I was after. The black is much more dramatic and I like the way the subject emerges out of the darkness, like a memory from the past. I like both shots, and will know after photographing my other models (mum, myself) how they work within a series. I think the photo below has a lot of conceptual potential!

Gregory Crewdson

Jeff Wall

"I begin by not photographing"

Large scale light boxes for presentation are just beautiful and make a strong reference to advertising billboards/historical paintings.

Everynone

WORDS from Everynone on Vimeo.
 beautiful, simple art videos by Everynone - I especially appreciate the combo of music and real recorded sounds - the clips selected are genius, too!

Miranda July

Me and You and Everyone We Know

I still haven't managed to get my hands on the entire film but the clips available on youtube are wonderful, this intro sequence especially sets a great mood and I love the way Miranda July tells a simple story of ordinary people with such basic film techniques, and manages to make it seem so special.