I'd kill to see this installation in the flesh, the scale is breathtaking and I imagine walking through the 'Falling Garden' would be magical. I'm ambitiously considering creating a similar suspended sculpture made of everyday, mundane objects or perhaps eggshells and other fragile materials, hoping to create a sentimental, nostalgic mood while also commenting on the inadequacy of keepsakes as a gateway to memory and experience: what we own does not necessarily compare to who we are and I believe objects and heirlooms should play a less important role in our idea of self than they do in today's age. Also a self-reflective observation on the ability of a photograph to capture truth - a photographic print is, after all, only a record of the exterior surface of someone or something. It gives limited insight into anything below the surface, just as memorabilia can only bring back so much of a person who has died, or a memory which has faded.
Note to PHO2008 & DIS2601
siology is a collection of thoughts, inspirations and creative processes which have contributed to my practice in first, second, and now third year studying photomedia and art.
Wednesday, 7 March 2012
Gerda Steiner & Jorg Lenzlinger
Brainforest - a booklet documentation of Steiner and Lenzlinger's sculptural installations including The Falling Garden (below), installed at the 50th Venice Bienalle (2003).
I'd kill to see this installation in the flesh, the scale is breathtaking and I imagine walking through the 'Falling Garden' would be magical. I'm ambitiously considering creating a similar suspended sculpture made of everyday, mundane objects or perhaps eggshells and other fragile materials, hoping to create a sentimental, nostalgic mood while also commenting on the inadequacy of keepsakes as a gateway to memory and experience: what we own does not necessarily compare to who we are and I believe objects and heirlooms should play a less important role in our idea of self than they do in today's age. Also a self-reflective observation on the ability of a photograph to capture truth - a photographic print is, after all, only a record of the exterior surface of someone or something. It gives limited insight into anything below the surface, just as memorabilia can only bring back so much of a person who has died, or a memory which has faded.
I'd kill to see this installation in the flesh, the scale is breathtaking and I imagine walking through the 'Falling Garden' would be magical. I'm ambitiously considering creating a similar suspended sculpture made of everyday, mundane objects or perhaps eggshells and other fragile materials, hoping to create a sentimental, nostalgic mood while also commenting on the inadequacy of keepsakes as a gateway to memory and experience: what we own does not necessarily compare to who we are and I believe objects and heirlooms should play a less important role in our idea of self than they do in today's age. Also a self-reflective observation on the ability of a photograph to capture truth - a photographic print is, after all, only a record of the exterior surface of someone or something. It gives limited insight into anything below the surface, just as memorabilia can only bring back so much of a person who has died, or a memory which has faded.
Labels:
installation,
objects,
sculpture,
suspended,
venice biennale
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